Posted in Cello Talks, Vibrato on April 27, 2011| Leave a Comment »
Vibrato: What is it? What does it mean? What is it for? In this Talk I put forth my own theories. And once you’ve mastered all the different vibrato types and variations I’ve illustrated in these Talks, how do you apply them? Here, I give some examples with playing demonstrations.
Posted in Cello Talks, Vibrato on June 13, 2010| 1 Comment »
I’m not going to tell anyone what this means. You have to have to watch it to find out. I think you’ll find it interesting.
Posted in Ask David and Wu Han, Cello Talks, Philosophy, Ideas, Questions, Misc, The Bow and Right Arm, Vibrato, Your Equipment on April 19, 2010| 1 Comment »
So many have written with great questions prompted by the Cello Talks that it’s time for me to respond again. I hope my suggestions are helpful, and thanks to everyone for all the support and encouragement you’ve given me.
Posted in Cello Talks, Vibrato on April 17, 2010| 2 Comments »
Some of the greatest violin players and string pedagogues say that vibrato should be from below the note and up to it only. But the singers don’t do it that way – see the earlier Cello Talk on that subject. Here’s why I sound better vibrating slightly above the note, for what it’s worth.
Posted in Cello Talks, Vibrato on June 18, 2009| 1 Comment »
Posted in Cello Talks, Vibrato on June 2, 2009| Leave a Comment »
Posted in Cello Talks, Vibrato on June 2, 2009| Leave a Comment »
DVORAK TRIOS: David Finckel and Wu Han are joined by violinist Philip Setzer to showcase the piano trios of Antonin Dvorak!
